- Get
on stage and look for something, granting for ourselves the freedom
to decide anything at any moment.
- This
is the real Sensori Emotivi starting point, a project conceived by Paolo
Favati, a historical Independent Music representative, to
celebrate his coming
back to the sound world.
He is now cooperating with Carlo Gatteschi, composer and
eclectic saxophone player; Bruno Briscik, a Hendrix like
cello player and Isabella Panero, video maker and director.
The
concert is performed like a way through the research of a new space
to be defined in order to express some already-thought thoughts. To
confront thoughts on stage with the other players, talking
everyone’s own language.
- That’s how those different
instruments got together and became compatible through every single
player will. The machine’s coldness, the warmth of a brass, the
sharp melody of a string, the coloured wandering of a video camera.This
was not just a concert, nor a simple visual performance. What took
place on that stage is a pure Musical Action where sounds articulate
with the rhythms of images and vice versa all in accordance to a
coherent orchestration directed by Paolo Favati. In this sense, the
video camera is played live exactly as a musical instrument
producing images instead of sounds indeed blending with the others.
- All
is improvisation, nothing is casual.
All takes place with the creative freedom of every player who
introduces, with his own instrument, new expressive formulas into
the same Musical Action. That’s why Sensori Emotivi contains the
expression of various instruments played by different players, whose
professional roots grow in worlds that apparently cannot approach
each other.
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